Course Two:
Improvisation into Contact

Falling Wide Easter Intensive 2007
Mon 23rd - Fri 27th April: 9 - 10am



This week of improvisation classes will draw on the individual approach of three luminaries from the worlds of contact and improvisation. Classes will explore embodied presence and improvisational skills in solo and ensemble dancing, as a wider context from which to integrate moving in and out of contact work. Open to all.

Irmela Wiemann will begin the week with emphasis on freeing the body towards embodied presence and clarity of touch; recognising space within and around to allow contact even before physical touch; then, exploring physical impulses and intuitive responses. On Wednesday and Thursday, Andrea Buckley will take students into allowing dancing to arise spontaneously and effortlessly. Using anatomical imagery to increase creative potential and self-awareness, participants will be supported into a full engagement with the process of improvisation and contact work using the tools of listening, watching and exploring. The course will culminate on Friday with Charlie Morrissey: focusing on an alert and dynamic relationship to the floor, the space, to gravity and to energy and release. It will explore ways to cultivate a state of receptive action; one in which we can both drive and take a ride on our own and others impulses and momentums.

Accumulatively over the week, the course will explore movement into and out of the floor, into space and into and out of a partner or partners as a means of offering pathways to facilitate open and unhindered dancing.


Course Teachers

Andrea Buckley has been extensively performing, teaching, making dances and working with diverse community groups in various contexts. After Graduating Laban Centre, in 1989 she went on to work with independent choreographers and companies on a project basis. To include MacLennan Dance & Company, Rosemary Lee, Gill Clarke and Siobhan Davies Dance Company. Improvisation and contact work has been her main source of inspiration travelling abroad to work with Kirstie Simson and Nancy Stark Smith to continue to explore the work in performance. As well as working with CH4PTER Andrea currently is creating a new solo performance piece with film artist Danny Williams and is a visiting lecturer at Hope University, Liverpool.

Charlie Morrissey trained in dance and choreography at Dartington College of Arts in the late 1980's under teachers including Katie Duck, Sasha Walz, Jaap Flier, Steve Paxton and Laurie Booth. Since 1991, he has been performing, directing, teaching and researching in the UK and in many other countries around the world. He works with improvisation and set works in large and small-scale site specific, theatre and gallery based performance events, collaborating with artists from other fields. His work is influenced and fed by ongoing and newer working relationships with Steve Paxton, Lisa Nelson, Kirstie Simson, Scott Smith, K.J.Holmes, Gill Clarke, Becky Edmunds, Henry Montes, Christoph Lechner, Christian Burns and Kate Brown amongst others. Charlie co-directs the site specific performance company Small Wonder with Paul Harrington, creating movement-based performance for unusual outdoor and indoor spaces with professional and non-professional performers.

Irmela Wiemann has been involved in exploring, performing and teaching Contact Improvisation for the last fifteen years. When in full time study as a violinist in Austria she discovered her love for dancing, causing her to change gear in training and to study with the pioneers of the form. Ever since then she has performed and choreographed work of both disciplines in Austria, France, Germany and Holland before moving to London in 1998. Collaborations in England include work for Kisook Cho, Kirsty Simson, KJ Holmes, Gaby Agis, Jovair Longo, Rick Nodine and ESP. Irmela is currently teaching Contact, Improvisation and Composition to actors and dancers at Laban, The City Lit, Tower Hamlets Life Long Learning Service and Mount View Academy.


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