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GABY
AGIS & COMPANY
TOUCH
UN-SITED
TOUCH
UN-SITED is an expansive and stunning new multi-media work created
by British choreographer Gaby Agis, in collaboration with American
sound artist Brandon
LaBelle and a team
of architects from the Architectural Association in London: Pasi
Makkonen, Jan Clostermann and Michael Weinstock.
The
work was orginally developed as the culmination of a ten-year residency
by Gaby Agis at the Architectural Association, working with a variety
of media including sound, film, video and installation. The resulting
full-evening length work was shown at the AA and in the Borough
Hall at Greenwich Dance Agency as part of the 'In Its Purest Form'
residency.
Gaby
is currently developing the work for performance in 2005 with a
larger company of five dancers.
Click
here to view 5min excerpts of Touch Un-Sited (Quicktime)
alternatively download on to your
hard drive in ZIP format.

Gaby
Agis & Company is a pioneering force in collaborative performance
in Britain, working with leading artists of other disciplines in
galleries, museums and theatres. Consistently at the forefront of
dance performance since its inception in 1985, the company is known
for its ability to build increasingly diverse and eclectic audiences
by challenging notions of what dance is and who a dance
audience can be.
Expert
at bringing a sense of the cutting-edge into the mainstream, Gaby
Agis recently worked with Turner Prize nominee Isaac Julien and
choreographed major fashion campaigns for Prada amongst others.
She created many works with the sculptors Kate Blacker and Cornelia
Parker, was choreographer of Atom Eyogan's production of Gavin Bryars'
opera Doctor Ox's Experiment at the ENO and in 2002 choreographed
the Royal Opening of the Millennium Bridge.
Explicit
Faith, Agis's most recent company work created in collaboration
with acclaimed British Sculptor Phyllida Barlow, played to sell-out
houses at LSO St. Luke's in London, July 2004, creating "a
new venue on the dance map" (Time Out).

Brandon
LaBelle is
a sound artist and writer from Los Angeles.
He
has performed and exhibited extensively internationally including
showing work at the Whitney Museum New York and at the Kawasaki
City Museum in Japan. He is also co-editor of Site of Sound:
of Architecture and the Ear and Writing Aloud: Sonics of
Language and curator of the Beyond Music Series at Beyond Baroque
Centre, Los Angeles.
The
Architectural Association School of Architecture
is not only the oldest architectural school in the UK, but for many
years it has also been the most vital: a constantly evolving institution
where new ideas are germinated and expressed, which has educated
many of the foremost architectural practitioners and has consistently
allowed teachers to work in an individualistic way. Over the years,
its independence from state and institutional control, at times
fiercely fought for, has allowed it to sustain a continual success
and renewal. www.aaschool.ac.uk
For
further information please contact Joe
Moran at Falling Wide
www.fallingwide.org
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